“1901” by Phoenix is playing on the radio while Minnow and I
drive to the Long Island Children’s Museum on a rainy April morning. At the conclusion of the song the DJ
mentions that at this year’s Coachella Festival, Phoenix invited R. Kelly on
stage to sing “Ignition Remix” while they performed “1901” in an unexpected
musical mash-up. I started
laughing as I imagined R. Kelly commanding the crowd to “Bounce, bounce,
bounce, bounce, bounce,” while Phoenix sang, “Fold it, fold it, fold it, fold
it.”
“Why you laughing, Mommy?”
“Oh, Minnow! I
miss that song.”
I haven’t heard “Ignition Remix” probably since sophomore year
of college. It was THE song of
Spring Break 2003, when my girlfriends and I partied at the beaches and clubs
of Nassau, Bahamas. Now here I am
navigating a slick boulevard in Nassau County, NY with my toddler in the
backseat, and all I want is to be ten years younger, sipping a Bahama Mama
while wearing a midriff top in some seedy Caribbean nightclub.
At the next red light I download “Ignition Remix” onto my
iPhone and plug it into the car stereo.
Within seconds the familiar keyboard intro is filling the interior of
the Jeep.
No I’m not trying to
be rude,
But hey pretty girl
I’m feeling you,
The way you do the
things you do,
Remind me of my Lexus
Coup.
By the third play of the song, Minnow is singing toot toot and beep beep along with R. Kelly. By the fourth play of the song, I start really listening to
the lyrics and realize: This song (like R. Kelly himself) is horribly
inappropriate for young children! Especially smart, impressionable ones. I had no idea what this song was
actually about, probably because I was drunk when it was popular. It’s not about cars! It’s a metaphor!
And then another thought dawns on me: What other questionable music is my
daughter absorbing while cruising in the car with me? It drives my mother-in-law batty that Minnow’s favorite song is “Time Spent in Los
Angeles’ by Dawes. The chorus goes
like this:
You’ve got a special
kind of sadness,
You’ve got a tragic
set of charms,
That only comes from
time spent in Los Angeles,
Makes me want to wrap
you in my arms.
But according to my daughter, the chorus goes like this:
You’ve got a special
kind of sadness,
You’ve got a special
kind of sadness,
You’ve got a special
kind of sadness,
You’ve got a special
kind of sadness… (And into infinity).
“I don’t like that song she sings,” my mother-in-law
says. “It’s about sadness.”
“It’s not, really.
It’s about California, which is pretty much the opposite of sadness,” I
reply.
But I still feel guilty because Dawes is certainly not
Mozart. In fact, Mozart is not on
Minnow’s iTunes playlist, but Mumford and Sons, The Lumineers, and Loudon
Wainwright III are. It’s my fault. I’m not one of those moms willing to
listen to the “Hokey Pokey” on repeat in the car. Driving is stressful enough. But, admittedly, I was growing weary of “I Will Wait,” “Ho Hey,” and “Daughter,”
so I sort of embraced that the kid was digging R. Kelly.
I am hoping Minnow will forget all about “Ignition Remix,”
by the time we leave the Long Island Children’s Museum, but when we get back
into the car she immediately requests the “car song.”
“What song?” I ask, feigning ignorance.
“Toot toot! Beep
beep! Cars talking, Mommy.”
Minnow continues to ask for the “car song” each time we get
into the Jeep for the next few days.
On Sunday morning, as we’re driving to church, Minnow again makes her
appeal.
“What is she talking about?” my husband asks.
Reluctantly, I turn on “Ignition Remix,” and, without
missing a beat, Minnow starts singing the words, like, perfectly.
Sipping on Coke and rum,
I'm like so what I'm drunk...
“Do you play this song for her?” my husband asks.
“Not all the time,” I reply sheepishly.
That night, on our way home from dinner, my mother-in-law is
sitting in the backseat with Minnow.
“Car song, car song!” Minnow demands.
“What song does she want?” my mother-in-law inquires.
“Uh, I don’t know,” I lie, mentally willing my husband to
drive faster toward home.
“Toot toot!
Beep beep, Mommy!” Minnow reminds me.
“Oh! That one. The wheels on the bus go ‘round and ‘round, ‘round and
‘round” I improvise.
And that is probably the closest we’ve ever come to
listening to kid-friendly music in the Jeep.
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